L'enfant terrible

Born on March 17th 1969, in the East End of London, the son of a taxi driver, McQueen started making dresses for his three sisters at a young age and announced his intention of becoming a fashion designer. He has said that one of his earliest memories was from around the age of 3 when he drew a picture of a dress on a piece of bare wall which had been exposed by peeling wallpaper in the council house where his family lived. McQueen has jokingly called it his first design sketch.

He left school at the age of 16 and was immediately offered an apprenticeship at the traditional Saville Row tailors Anderson and Shephard and then at neighbouring Gieves and Hawkes, both masters in the technical construction of clothing.

From there he moved to the theatrical costumiers Angels and Bermans where he mastered 6 methods of pattern cutting from the melodramatic 16th Century to the razor sharp tailoring which has become a McQueen signature. Aged 20 he was employed by the designer Koji Tatsuno, who also had his roots in British tailoring. A year later McQueen travelled to Milan where he was gainfully employed as Romeo Giglis design assistant. He finally returned to London in 1994 where he completed a Masters degree in Fashion Design at St. Martins. His degree collection was famously bought in its entirety by Isabella Blow.

Alexander McQueen's early runway collections developed his reputation for controversy and shock tactics(earning the title "l'enfant terrible" and "the hooligan of English fashion", with trousers aptly named "bumsters", and a collection entitled "Highland Rape". McQueen is known for his lavish, unconventional runway shows, such as a recreation of a shipwreck for his spring 2003 collection, spring 2005’s human chess game and his fall 2006 show, Widows of Culloden, which featured a life-sized hologram of supermodel Kate Moss, dressed in yards of rippling fabric.

“Alexander McQueen is known for both the emotional power and raw energy of the shows as well as the romantic but determinedly contemporary nature of the collections. Integral to the McQueen culture is the juxtaposition between contrasting elements: fragility and strength, tradition and modernity and fluidity and severity. An openly emotional and even passionate viewpoint is realised with a profound respect and influence for the arts and crafts tradition.”